Upcoming Events
7:30 p.m.
The DutchmanDutchman, which premiered at the Cherry Lane Theatre in Greenwich Village, New Yok in 1964, is an emotionally charged and highly symbolic version of the Adam and Eve story. The emotionally taut, intellectual verbal fencing between Clay (a Black Adam) and Lula (a white Eve) spirals irrevocably to a symbolic act of violence. Jones/Baraka's play is one of mythical proportions, a ritual drama that has a sociological purpose: to galvanize his audience into revolutionary action.
7:30 p.m.
The DutchmanDutchman, which premiered at the Cherry Lane Theatre in Greenwich Village, New Yok in 1964, is an emotionally charged and highly symbolic version of the Adam and Eve story. The emotionally taut, intellectual verbal fencing between Clay (a Black Adam) and Lula (a white Eve) spirals irrevocably to a symbolic act of violence. Jones/Baraka's play is one of mythical proportions, a ritual drama that has a sociological purpose: to galvanize his audience into revolutionary action.
7:30 p.m.
The DutchmanDutchman, which premiered at the Cherry Lane Theatre in Greenwich Village, New Yok in 1964, is an emotionally charged and highly symbolic version of the Adam and Eve story. The emotionally taut, intellectual verbal fencing between Clay (a Black Adam) and Lula (a white Eve) spirals irrevocably to a symbolic act of violence. Jones/Baraka's play is one of mythical proportions, a ritual drama that has a sociological purpose: to galvanize his audience into revolutionary action.
7:30 p.m.
The DutchmanDutchman, which premiered at the Cherry Lane Theatre in Greenwich Village, New Yok in 1964, is an emotionally charged and highly symbolic version of the Adam and Eve story. The emotionally taut, intellectual verbal fencing between Clay (a Black Adam) and Lula (a white Eve) spirals irrevocably to a symbolic act of violence. Jones/Baraka's play is one of mythical proportions, a ritual drama that has a sociological purpose: to galvanize his audience into revolutionary action.
7:30 p.m.
IntertextualityINTERTEXTUALITY investigates how dance can help dissolve borders, blur lines, and result in new understandings.
2:30 p.m.
IntertextualityINTERTEXTUALITY investigates how dance can help dissolve borders, blur lines, and result in new understandings.
7:30 p.m.
IntertextualityINTERTEXTUALITY investigates how dance can help dissolve borders, blur lines, and result in new understandings.
2:30 p.m.
IntertextualityINTERTEXTUALITY investigates how dance can help dissolve borders, blur lines, and result in new understandings.
7:30 p.m.
OverpassFirst, two sisters watch reality television and crack jokes about Bret Michaels. Then, one sits in a McDonald's bathroom with the ghost of the other, and they crack jokes about being alive.
7:30 p.m.
OverpassFirst, two sisters watch reality television and crack jokes about Bret Michaels. Then, one sits in a McDonald's bathroom with the ghost of the other, and they crack jokes about being alive.
7:30 p.m.
OverpassFirst, two sisters watch reality television and crack jokes about Bret Michaels. Then, one sits in a McDonald's bathroom with the ghost of the other, and they crack jokes about being alive.
7:30 p.m.
OverpassFirst, two sisters watch reality television and crack jokes about Bret Michaels. Then, one sits in a McDonald's bathroom with the ghost of the other, and they crack jokes about being alive.
7:30 p.m.
Written in 1943 by Lillian Hellman, The Children’s Hour is a witch-hunt of a drama set in 1930’s America. Two women are unjustly accused. As their lives and sanity spiral out of control, they begin to see the truth behind the accusations. Our production attempts to aim a mirror at the suffering still going on by similar accusations and asks our audiences to reflect on whom and how they love.
7:30 p.m.
Written in 1943 by Lillian Hellman, The Children’s Hour is a witch-hunt of a drama set in 1930’s America. Two women are unjustly accused. As their lives and sanity spiral out of control, they begin to see the truth behind the accusations. Our production attempts to aim a mirror at the suffering still going on by similar accusations and asks our audiences to reflect on whom and how they love.
7:30 p.m.
Written in 1943 by Lillian Hellman, The Children’s Hour is a witch-hunt of a drama set in 1930’s America. Two women are unjustly accused. As their lives and sanity spiral out of control, they begin to see the truth behind the accusations. Our production attempts to aim a mirror at the suffering still going on by similar accusations and asks our audiences to reflect on whom and how they love.
2:30 p.m.
Written in 1943 by Lillian Hellman, The Children’s Hour is a witch-hunt of a drama set in 1930’s America. Two women are unjustly accused. As their lives and sanity spiral out of control, they begin to see the truth behind the accusations. Our production attempts to aim a mirror at the suffering still going on by similar accusations and asks our audiences to reflect on whom and how they love.
7:30 p.m.
A Modern DanceUsing dancers, past and present, as inspiration, faculty members Audra Sokol and Melanie Swihart will present an evening length work of modern dances.
7:30 p.m.
A Modern DanceUsing dancers, past and present, as inspiration, faculty members Audra Sokol and Melanie Swihart will present an evening length work of modern dances.
7:30 p.m.
A Modern DanceUsing dancers, past and present, as inspiration, faculty members Audra Sokol and Melanie Swihart will present an evening length work of modern dances.
7:30 p.m.
She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
7:30 p.m.
She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
7:30 p.m.
She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
2:30 p.m.
She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
7:30 p.m.
BabelBABEL is a dark comedy set in the near future about two couples who are having trouble getting pregnant, the lengths they go to in order to have a baby, and the morally questionable technology involved.
7:30 p.m.
BabelBABEL is a dark comedy set in the near future about two couples who are having trouble getting pregnant, the lengths they go to in order to have a baby, and the morally questionable technology involved.
7:30 p.m.
BabelBABEL is a dark comedy set in the near future about two couples who are having trouble getting pregnant, the lengths they go to in order to have a baby, and the morally questionable technology involved.
7:30 p.m.
BabelBABEL is a dark comedy set in the near future about two couples who are having trouble getting pregnant, the lengths they go to in order to have a baby, and the morally questionable technology involved.
4 p.m.
We want to sing. We want to gather. We want to share. We want to remember and celebrate and look forward. Join the department for a holiday kick-off production in the quad. No tickets required.
4 p.m.
We want to sing. We want to gather. We want to share. We want to remember and celebrate and look forward. Join the department for a holiday kick-off production in the quad. No tickets required.
4 p.m.
We want to sing. We want to gather. We want to share. We want to remember and celebrate and look forward. Join the department for a holiday kick-off production in the quad. No tickets required.
7:30 p.m.
Skerryvore7:30 p.m. | Pruis Hall
7:30 p.m.
The Price is Right Photo7:30 p.m. | Emens Auditorium