Mihoko Watanabe

Mihoko Watanabe

Professor of Flute


Room:MI 208

Flutist Mihoko Watanabe, a native of Japan, is Professor of Flute at Ball State University (BSU) and chair of the Certificate in Entrepreneurial Music program. Prior to joining the School of Music, Dr. Watanabe taught at the University of Wisconsin Oshkosh, the Memorial University of Newfoundland, and the University of Windsor, Canada.

A celebrated and versatile international performer, Dr. Watanabe has won competitions sponsored by both the Japan Flute Association and the National Flute Association (NFA), and has appeared in Japan, Israel, Canada, England, and USA as a recitalist, chamber musician, and concerto soloist. She is the member of the faculty woodwind quintet, the MUSICAL ARTS QUINTET (MAQ). The MAQ has been awarded the prestigious 2010 American Masterpieces grant from the National Endowment for the Arts to support a performance tour and CD, entitled “American Breeze, ” which was released in 2012 from Albany Records. She was the founding member of the HIBIKI (Úč┐) Trio, comprised of BSU faculty (flute, viola, and harp). The Hibiki Trio has been invited to the College Music Society to present a performance and lecture recital in 2015 and 2016 nationally. She was a member of TRIO FLURINETO (flute, clarinet, and piano) at Ball State University. The TRIO FLURINETO has performed nationally at various universities, the 2010 NFA Convention, and 2011 International Clarinet Association Convention. Independent of her participation in BSU chamber ensembles, she is a founding member of TRIO PIACERE (flute, cello, piano), which has performed internationally, and a member of DUO VIVA (two flutes). In 2006, DUO VIVA recorded “Doppler Effect,” a CD released by and available from Little Piper. TRIO HARMONIA (flute, viola and piano) was invited to perform at the 2017 NFA Convention in Minneapolis, MN.

She has held several principle flute positions and performed with American and Canadian orchestras. Currently, she is the principal flutist of the Muncie Symphony Orchestra and has performed with the Indianapolis Symphony Orchestra and Fort Wayne Philharmonic. Previously, she has performed with the Aspen Music Festival Orchestra, Lansing Philharmonic Orchestra, Farmington Area Philharmonic, Warren Symphony Orchestra, Pontiac-Oakland Symphony, Oshkosh Symphony Orchestra, Brevard Music Center Orchestra, Windsor Symphony Orchestra (Canada), and Newfoundland Symphony Orchestra (Canada). In 2012, she premiered From Days of Yore, a flute concerto written by Jody Nagle, with the Muncie Symphony Orchestra. In 2007, she was invited to perform CPE Bach Flute Concerto in d minor with Mr. Carmel Chamber Orchestra in Israel.

Dr. Watanabe has performed numerous lecture recitals, panel discussions, and workshops at conferences nationally and internationally, such as the annual conferences of the National Flute Association (NFA), Deutsche Gesellschaft für Flöte e.V. (DGfF e.V.), British Flute Society, International Double Reed Society, International Clarinet Association, and College Music Society. She has also been invited to perform for regional flute festivals in USA.

Dr. Watanabe is an enthusiastic teacher and travels widely as a clinician, presenting masterclasses throughout the United States, Canada, and Japan. She has adjudicated at national and international competitions, including the Kiwanis Music Festival in Canada, Regional Flute Festival competitions in USA, and various NFA Competitions (Young Artist, Arts Venture, and Graduate Research). She was appointed to be on the faculty of the Brevard Music Center summer festival in 2005, and she has been on the Music for All Summer Symposium faculty since 2012, the Benefic Chamber Music Camp faculty since 2013, and the Fresno Opera & Orchestra Summer Academy since 2015. As a pedagogue, she was featured in the December issue of Flute Talk magazine in 2009.

In addition to being a gifted flutist, Dr. Watanabe is also devoted to the field of ethnomusicology, which she studied extensively at the University of Michigan. Her interest in Japanese traditional music led to a faculty development grant from the University of Wisconsin, Oshkosh in order to research Kazuo Fukushima’s Mei for solo flute in Japan. Her research resulted in a feature article in the Spring 2008 issue of the Flutist Quarterly, and led to lecture recitals at the 2007 NFA Convention, the 2010 British Flute Association Convention in England, and the 2013 International Flute Festival at the Hochschele für Musik Freiburg in Germany. In 2011, her article was translated into Dutch and published in the Nederlands Fluit Genootschap’s Fluit, the official journal of the Dutch Flute Association. In 2013, the article was translated into German for the DGfG e.V.’s Flöte aktuell, official journal.

As an advocate of studies in entrepreneurial music, she has participated in the Savvy Musicians in Action Workshop in 2015 and received the top prize “the 2015 SAVVY Arts Venture Challenge” with Janet’s band. In 2016, she was invited to give a presentation at the College Music Society National Conference in Santa Fe, NM, and at the National Association of School of Music (NASM) Conferences in Dallas, TX, in 2016.

Dr. Watanabe served as the president of the Greater Indianapolis Flute Club from 2010-2013 and is currently a member of the following NFA committees: research and flute club.

Dr. Watanabe received her doctoral degree from the University of Michigan, her master’s degree and performer's certificate from the Eastman School of Music, and her bachelor’s degree from the Musashino Academia Musicae in Tokyo, Japan. Her teachers have included Bonita Boyd, Leone Buyse, Fenwick Smith, Takao Saeki, and Ervin Monroe. She also attended Aspen Music Festival, Julius Baker’s Summer Masterclasses, Orchestral Institute, and Domaine Forget International Music and Dance Academy. She has also studied with Emmanueal Pahud, Julius Baker, Jeanne Baxtresser, Jeff Zook, Alain Marion, Martha Aaron, Mark Sparks, and Jean Morin.

Course Schedule
Course No. Section Times Days Location
Major Study 200 01A 0000 - 0000
Major Study 200 01A 1200 - 1350 M MI, room 104
Major Study 200 01C 0000 - 0000
Major Study 200 01C 1200 - 1350 M MI, room 104
Principal Study 201 01A 0000 - 0000
Principal Study 201 01A 1200 - 1350 M MI, room 104
Secondary Study 202 01 0000 - 0000
Secondary Study 202 1 0000 - 0000
Minor Study 203 01 0000 - 0000
Minor Study 203 01 1200 - 1350 M MI, room 104
Minor Study 203 01A 0000 - 0000
Minor Study 203 01A 1200 - 1350 M MI, room 104
Junior Recital 397 01 0000 - 0000
Major Study 400 01C 0000 - 0000
Major Study 400 01C 1200 - 1350 M MI, room 104
Principal Study 401 01A 0000 - 0000
Principal Study 401 01A 1200 - 1350 M MI, room 104
Wind and Perc Lit an 420 01 0000 - 0000
Entrepre Musicians: 497 1 0000 - 0000
Instrumental Lit and 520 01A 0000 - 0000
Elective Study 620 01A 0000 - 0000
Applied Recital Stud 710 1 0000 - 0000
Independent Study 799 1 0000 - 0000