Selected Performances
International
Critical Mass for digital audio. November
16, 2005.
Electroacoustiques
universite Concordia university Electroacoustics (EuCuE) concert
series,
Concordia University, Montreal, Canada.
Blowout (expanded) for digital audio. September
21, 2005 (Mexico City); September 30 - October 1,
2005 (Portland); October 7-8 (San Diego). NWEAMO
(New West Electro-Acoustic Music Organization)
Festival,
one of
five works presented as "Headphone Features." Mexico
City, Mexico; Portland, Oregon;
San Diego.
Teufelskreis for digital audio. November
1-6, 2004.
International
Computer Music Conference, included in the "Digital Jukebox"
installation. Coral Gables,
Florida.
Blowout
for tape (edited version of Jonty's Blowout). June
6, 2004.
Electrolune
performance, at 3rd Rencontres Musiques Nouvelles, Lunel,
France.
Messages
for tape (edited for a dance piece entitled "Bekväm"
choreographed by Valerie
Klein). January 19, 2003.
Tanzpool Young Forward, a series of
dance performances, Vienna, Austria.
Messages
for tape (edited for a dance piece entitled "Bekväm"
choreographed by Valerie
Klein). December 4-7, 2002.
Tanzpool Young Forward, a series of
dance performances, Vienna, Austria.
Jonty's Blowout for tape. April
27, 2002.
A
celebratory concert and CD in honor of the birthday of composer/teacher
Jonty
Harrison, Birmingham, England.
Release
for percussion solo and tape. November 8,
2000.
Electroacoustiques
universite Concordia university Electroacoustics (EuCuE) concert
series,
Concordia University, Montreal, Canada.
Cry Out for
trumpet solo and tape. November 3,
2000.
Seoul
International Computer Music Festival 2000, Seoul, Korea.
Critical
Mass for
tape. February 13, 2000.
Sonic
Arts Network Conference, Newcastle upon Tyne, England.
Teufelskreis for dancers and tape.
February 5, 2000.
Aural
Kinetics, a series of concerts presented by the Birmingham
ElectroAcoustic
Sound Theatre (BEAST) at the Midlands Arts Centre, Birmingham, England.
Critical Mass for tape. July
7, 1999.
Part
of the eXstatic Project, Australasian Computer Music Conference,
Wellington,
New Zealand.
Critical Mass for tape. June
4, 1999.
Synthèse
99, international festival of electroacoustic music in Bourges, France.
(Award
winner)
Critical Mass for tape. December
3, 1998.
The
5th Computer Music Festival in Seoul, Korea.
Critical Mass for tape. October
30,
1998.
The
1st International Music Festival of Cadiz, Spain.
Critical Mass for tape. May
22-23, 1998.
Part
of the eXstatic Project, Next Wave Festival, West Melbourne, Australia.
National
Jam for
digital audio. November 2, 2006.
Imagine
II Festival, Memphis, Tennessee.
Jam for
digital audio. October 13, 2006.
Electronic
Music Midwest, Romeoville, Illinois.
Jam for
digital audio. September 24, 2006
(Portland, Oregon); September 28 - 30, 2006 (San Diego); October 6-7
(New
York). NWEAMO (New West
Electro-Acoustic Music Organization) Festival, one of ten works
presented as a
"CD Jukebox" at each event. Portland,
Oregon, San Diego, New York.
Blowout (expanded) for digital audio. April
8, 2006.
Fifteenth
Annual Florida Electroacoustic Music Festival, Gainesville, Florida.
Jam for
digital audio. March 31, 2006.
Society
for Electro-Acoustic Music in the United States (SEAMUS) National
Conference,
Eugene, Oregon.
Critical Mass for digital audio. February
22, 2006.
Cybersounds:
Video Animation and Electroacoustic Music, Philadelphia, Pennsylvania.
Blowout (expanded) for digital audio. October
22, 2005.
Electronic
Music Midwest, Kansas City, Kansas.
Blowout (expanded) for digital audio. April
26, 2005.
Society
for Electro-Acoustic Music in the United States (SEAMUS) National
Conference,
Muncie, Indiana.
Mixed Messages for digital audio. November
12, 2004.
Society of Composers, Inc. Region IV
Conference, Rock
Hill, South Carolina.
Release
for percussion solo and tape. April 15,
2004.
Concert
at the University of Wisconsin, Milwaukee, Wisconsin.
Mixed Messages for tape. March
15, 2003.
Society
for Electro-Acoustic Music in the United States National Conference,
Tempe,
Arizona.
Teufelskreis for tape. March
1, 2001.
Society
for Electro-Acoustic Music in the United States National Conference,
Baton
Rouge, Louisiana.
Cry Out
for trumpet solo and tape. March
9, 2000.
Society
for Electro-Acoustic Music in the United States National Conference,
Denton,
Texas.
Release
for percussion solo and tape. October 24,
1999.
Computer
Music at Stony Brook IX, a concert at the State University of New York,
Stony
Brook, New York.
Release
for percussion solo and tape. May
13, 1999.
Faculty
recital at Louisiana Tech University, Ruston, Louisiana.
Release
for percussion solo and tape. March 28,
1999.
Society
for Electro-Acoustic Music in the United States National Conference,
San Jose,
California. (Commissioned piece)
Critical Mass for tape. February
27,
1999.
Society
of Composers, Inc. National Student Conference, Austin, Texas.
Critical Mass for tape. November
13,
1998.
Varese
40th Anniversary Event at Mills College, Oakland, California.
Critical Mass for tape. April
17, 1998.
Society
for Electro-Acoustic Music in the United States National Conference,
Dartmouth
College, Hanover, New Hampshire.
Critical Mass for tape. April
10, 1998.
Seventh
Annual Florida Electroacoustic Music Festival, Gainesville, Florida.
Industrial Evolution for quadraphonic tape.
April 30, 1994.
Sonic
Circuits II, an electronic music festival in St. Paul, Minnesota.
Regional
Jam for
digital audio. April 10, 2006.
Broadcast
on the radio show "Foldovers" on WOBC, Oberlin, Ohio.
Blowout (expanded) for digital audio. April
25, 2005.
Broadcast
on the radio show "Foldovers" on WOBC, Oberlin, Ohio.
Still Transformations for tape. September
18, 2004.
Electronic
Music Midwest, Romeoville, Illinois.
Release
for percussion solo and tape. November
5, 2001.
Broadcast
on the radio show "Foldovers" on WOBC, Oberlin, Ohio.
Release
for percussion solo and tape. April 8,
2001.
Doctoral
performance recital, University of Illinois, Urbana, Illinois.
Release
for percussion solo and tape. February 8,
2001.
Society
of Composers, Inc., Region V Conference, Muncie, Indiana.
Critical Mass for tape. November
27,
2000.
Broadcast
on the radio show "Foldovers" on WOBC, Oberlin, Ohio.
Critical Mass for tape. November
7, 1998.
Midwest
Composers' Symposium at the University of Iowa.
Loose Associations for brass and percussion.
November 6, 1998.
Midwest
Composers' Symposium at the University of Iowa.
Chain of Thought for string quartet. November
2, 1996.
Midwest
Composers' Symposium at Indiana University.
Variations for chamber orchestra.
July
26, 1992.
Open
Orchestral Reading at the Lancaster Festival in Lancaster, Ohio.
Local
Jam for
digital audio. Februay 17, 2006.
Festival
of New Music, Ball State University, Muncie, Indiana.
Mixed Messages for tape. October
10,
2005.
Radio
play on the "The Sound Experiment," WBST (also includes a
short interview).
Blowout (expanded) for digital audio. January
21, 2005.
Festival
of New Music, Ball State University, Muncie, Indiana.
Release
for percussion solo and tape. March 28,
2004.
Radio
play on the "The Sound Experiment" pledge episode on WBST
(also includes a
short interview).
Mixed Messages for tape. March
21, 2004.
Radio
play on the "The Sound Experiment," WBST (also includes a
short interview).
Still Transformations for tape. March
9, 2004.
Festival
of New Music, Ball State University, Muncie, Indiana.
Release
for percussion solo and tape. November 24,
2003.
Radio
play on the "The Sound Experiment," WBST (also includes a
short interview, and
I was given credit for production assistance for that episode).
Mixed Messages for tape. April
15, 2003.
EMFOUR,
a concert of electronic music at Ball State University, Muncie, Indiana.
Mixed Messages for tape. February
12,
2003.
Festival
of New Music, Ball State University, Muncie, Indiana.
Cry Out
for trumpet solo and tape. April
8, 2002.
EMFOUR,
a concert of electronic music at Ball State University, Muncie, Indiana.
Critical Mass for tape. February
9,
2002.
Festival
of New Music, Ball State University, Muncie, Indiana.
Teufelskreis for tape. September
27,
2000.
EMONE,
a concert of electronic music at Ball State University, Muncie, Indiana.
Cry Out
for trumpet solo and tape. March
24, 1999.
University
of Illinois Experimental Music Studios 40th Anniversary Concert.
Reflections for alto saxophone and tape.
April 26, 1998.
Recital
of Modern Classical Music at Millikin University, Decatur, Illinois.
Critical Mass for tape. January
28,
1998.
EMTHREE,
a concert of electronic music at Ball State University, Muncie, Indiana.
Critical Mass for tape. November
13,
1997.
2
X 6, a presentation of electro-acoustic music at the University of
Illinois.
Grip
for percussion trio. May 2, 1997.
Hear
& Now, a concert at the University of Illinois.
Chain of Thought for string quartet. November
4, 1996.
Read
by the Kronos Quartet at a Composers' Forum at the University of
Illinois.