Teenage Mutant Ninja Turtles

The Teenage Mutant Ninja Turtles, or TMNT, as I affectionately called them in second grade, represented everything that was exciting and adventurous to me as a child. I desperately wanted not only to hang out with Michelangelo and Donatello, but to actually be Raphael (Leonardo was a bit stuffy for my taste). Why Raphael, who, aside from being a turtle, was also male? Why not their female (and human) action-news reporter friend, April O’Neil? She even had red hair!

I didn’t have to be a feminist to know that April was simply not as exciting as Raphael or even boring Leonardo. She participated in only a handful of the Turtles’ actual adventures; most of the time she just cleaned up the mess they left behind with her production crew. This is, for me, the most affecting example of the Smurfette Principle. I identified with a male, mutant reptile over a perfectly un-mutated human of my own sex, because that’s how boring she really was. I saw women being so thoroughly undervalued that I didn’t just feel lousy about it, I detached myself from the sex altogether. I wanted to be male. And a turtle. Yikes.

Leonardo

Since the original theme song still runs through my head from time to time, I’ll just use the lyrics to explain the characters. Leonardo leads.
Donatello

Donatello does machines.

Raphael

Raphael is cool, but crude.
Michelangelo

Michelangelo is a party dude.
Splinter

Splinter taught them to be ninja teens.

April O'Neil

Okay, end of lyrics, because April is not in the theme song (that’s rather telling, isn’t it?). April is the only human of the regular gang and also, as I mentioned before, the only female. She’s also a broadcast journalist, constantly competing for whatever scoop the Turtles leave in their wake with her male counterpart, Vern. See, I’m trying to make her sound exciting, but she’s just…not.

 

Cartoons: 1950s -1990s Cartoons: present Discussion/Conclusions Home Works Cited