Presenters and Topics are listed for each
session below.
Paper 1 (9 am - 10:00 am) Choral Hall, MI 163
Bukvic: "Practical Guide to Minimizing Technological
and Logistical Problems in Composing and Performing Interactive
Electroacoustic Art"
Fritts: "Intersections of Mathematics and Music:
Group Theoretical Models for Electroacoustic Music Composition"
Paper 2 (4 pm - 5 pm) Pruis Hall
Beck: "The Laboratory for Creative Arts & Technologies:
A Center for Interdisciplinary Research and Collaboration"
Polashek: "An Integrated Technique for Transitional
Synthesis Between Non-Pitched and Pitched Timbres"
Paper 3 (4 pm - 5 pm) Choral Hall, MI 163
Kleinsasser: "Three-Dimensional Interval-Space
Analysis Projections Using OpenGL in Jitter"
Simoni and Adams: "Time-Frequency (TF) Visualization
of Electro-Acoustic Music"
Paper 4 (9 am - 10 am) Choral Hall, MI 163
Dribus: "The Other Ear: A Consideration of the
Aesthetics, Semiotics, and Technique of Sonification"
Birchfield: "Generative Soundscapes for Experiential
Communication"
Paper 5 (9 am - 10:00 am) Choral Hall, MI 163
Kim-Boyle: "Musical Score Generation"
Lee: "GrainCloud-A Real-time Granular Synthesis
Program using SuperCollider"
Paper 6 (9 am - 10:30 am) Pruis Hall
Swendsen: "(Re)hearing the Potential: Collisions
and Explorations of Sonic Landscapes in Maggi Payne's Resonant
Places"
Lilly: "Form as an Outgrowth of Timbre and Rhythm:
Wesley Fuller's Sherds of Five"
Rudy: "Interpolating Electroacoustic Sounds in
an Acoustic Context: Analyzing Timbre, Time and Pitch in Íris
by João Pedro Oliveira"
Paper 7 (4 pm - 5 pm) Choral Hall, MI 163
Lopez: "Computer Musicianship: The Walden School
Approach to Teaching Computer Music to Young Composers"
Hinkle-Turner: "The Implication and Significance
of the Female Composer's Voice as sound source in her electroacoustic
music: this is not a piece of feminist music theory??"
Paper 8 (4 pm - 5 pm) Pruis Hall
Ciufo (panel): "Improvising with Computers: Ideas
and Approaches"