PAPER SCHEDULE
 
 

SEAMUS2005 Home

Schedules
-Conference
-Concert
-Papers
-Rehearsal(pdf)

About BSU

Music/Video/
Installation Call

Paper Call

Performers

Venues

Hotel

Travel

Muncie

Contact

Presenters and Topics are listed for each session below.

Thursday

Paper 1 (9 am - 10:00 am) Choral Hall, MI 163

Bukvic: "Practical Guide to Minimizing Technological and Logistical Problems in Composing and Performing Interactive Electroacoustic Art"

Fritts: "Intersections of Mathematics and Music: Group Theoretical Models for Electroacoustic Music Composition"

Paper 2 (4 pm - 5 pm) Pruis Hall

Beck: "The Laboratory for Creative Arts & Technologies: A Center for Interdisciplinary Research and Collaboration"

Polashek: "An Integrated Technique for Transitional Synthesis Between Non-Pitched and Pitched Timbres"

Paper 3 (4 pm - 5 pm) Choral Hall, MI 163

Kleinsasser: "Three-Dimensional Interval-Space Analysis Projections Using OpenGL in Jitter"

Simoni and Adams: "Time-Frequency (TF) Visualization of Electro-Acoustic Music"

Friday

Paper 4 (9 am - 10 am) Choral Hall, MI 163

Dribus: "The Other Ear: A Consideration of the Aesthetics, Semiotics, and Technique of Sonification"

Birchfield: "Generative Soundscapes for Experiential Communication"

Saturday

Paper 5 (9 am - 10:00 am) Choral Hall, MI 163

Kim-Boyle: "Musical Score Generation"

Lee: "GrainCloud-A Real-time Granular Synthesis Program using SuperCollider"

Paper 6 (9 am - 10:30 am) Pruis Hall

Swendsen: "(Re)hearing the Potential: Collisions and Explorations of Sonic Landscapes in Maggi Payne's Resonant Places"

Lilly: "Form as an Outgrowth of Timbre and Rhythm: Wesley Fuller's Sherds of Five"

Rudy: "Interpolating Electroacoustic Sounds in an Acoustic Context: Analyzing Timbre, Time and Pitch in Íris by João Pedro Oliveira"

Paper 7 (4 pm - 5 pm) Choral Hall, MI 163

Lopez: "Computer Musicianship: The Walden School Approach to Teaching Computer Music to Young Composers"

Hinkle-Turner: "The Implication and Significance of the Female Composer's Voice as sound source in her electroacoustic music: this is not a piece of feminist music theory??"

Paper 8 (4 pm - 5 pm) Pruis Hall

Ciufo (panel): "Improvising with Computers: Ideas and Approaches"