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Slide #: 008 Author ID: 8 SBSE Slide ID: CD008-008-S001-008 Title: Sunspace addition Comments: Slide #: 009 Author ID: 9 SBSE Slide ID: CD008-009-S001-009 Title: Sunspace addition Comments: Slide #: 010 Author ID: 10 SBSE Slide ID: CD008-010-S001-010 Title: Sunspace addition Comments: Slide #: 011 Author ID: 11 SBSE Slide ID: CD008-011-S001-011 Title: Trombe wall construction w/selective surface Comments: Slide #: 012 Author ID: 12 SBSE Slide ID: CD008-012-S001-012 Title: Trombe wall construction w/selective surface Comments: Slide #: 013 Author ID: 13 SBSE Slide ID: CD008-013-S001-013 Title: Trombe wall construction w/selective surface Comments: Slide #: 014 Author ID: 14 SBSE Slide ID: CD008-014-S001-014 Title: Trombe wall construction w/selective surface Comments: Slide #: 015 Author ID: 15 SBSE Slide ID: CD008-015-S001-015 Title: Trombe wall construction w/selective surface Comments: Slide #: 016 Author ID: 16 SBSE Slide ID: CD008-016-S001-016 Title: Solar staircase Comments: Slide #: 017 Author ID: 17 SBSE Slide ID: CD008-017-S001-017 Title: Solar staircase Comments: Slide #: 018 Author ID: 18 SBSE Slide ID: CD008-018-S001-018 Title: Passive solar house Comments: Slide #: 019 Author ID: 19 SBSE Slide ID: CD008-019-S001-019 Title: First insulate than insolate Comments: Slide #: 020 Author ID: 20 SBSE Slide ID: CD008-020-S001-020 Title: Davis waterfall Comments: Slide #: 021 Author ID: 21 SBSE Slide ID: CD008-021-S001-021 Title: Bead wall Comments: Slide #: 022 Author ID: 22 SBSE Slide ID: CD008-022-S001-022 Title: Bead wall Comments: |
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Slide #: 023 Author ID: 23 SBSE Slide ID: CD008-023-S001-023 Title: Skylid Comments: Slide #: 024 Author ID: 24 SBSE Slide ID: CD008-024-S001-024 Title: Skylid Comments: Slide #: 025 Author ID: 25 SBSE Slide ID: CD008-025-S001-025 Title: Shutter Comments: Slide #: 026 Author ID: 26 SBSE Slide ID: CD008-026-S001-026 Title: Register divertor Comments: Slide #: 027 Author ID: 27 SBSE Slide ID: CD008-027-S001-027 Title: Skylight shutter Comments: Slide #: 028 Author ID: 28 SBSE Slide ID: CD008-028-S001-028 Title: Skylight shutter Comments: Slide #: 029 Author ID: 29 SBSE Slide ID: CD008-029-S001-029 Title: "Clearview" collector Comments: Slide #: 030 Author ID: 30 SBSE Slide ID: CD008-030-S001-030 Title: Clerestory shutter Comments: Slide #: Author ID: 31 SBSE Slide ID: NOSLIDE Title: Window shutter Comments: Slide #: Author ID: 32 SBSE Slide ID: NOSLIDE Title: Shutter section Comments: Slide #: Author ID: 33 SBSE Slide ID: NOSLIDE Title: Net window heat loss and gain Comments: Slide #: Author ID: 34 SBSE Slide ID: NOSLIDE Title: Penthouse shade Comments: Slide #: Author ID: 35 SBSE Slide ID: NOSLIDE Title: Penthouse shade Comments: Slide #: Author ID: 36 SBSE Slide ID: NOSLIDE Title: Davis skylight shutter Comments: Slide #: Author ID: 37 SBSE Slide ID: NOSLIDE Title: Davis skylight shutter Comments: |
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Slide #: Author ID: 38 SBSE Slide ID: NOSLIDE Title: Davis skylight shutter Comments: Slide #: Author ID: 39 SBSE Slide ID: NOSLIDE Title: Davis skylight shutter Comments: Slide #: Author ID: 40 SBSE Slide ID: NOSLIDE Title: "Thermocell" blind Comments:
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Solar Hemi-Cycle - High Museum
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Slide #: 031 Author ID: 1 SBSE Slide ID: CD008-031-S002-001 Title: High Museum Comments: Slide #: 032 Author ID: 2 SBSE Slide ID: CD008-032-S002-002 Title: High Museum Comments: Slide #: 033 Author ID: 3 SBSE Slide ID: CD008-033-S002-003 Title: High Museum Comments: Slide #: 034 Author ID: 4 SBSE Slide ID: CD008-034-S002-004 Title: High Museum Comments: Slide #: 035 Author ID: 5 SBSE Slide ID: CD008-035-S002-005 Title: High Museum Comments: Slide #: 036 Author ID: 6 SBSE Slide ID: CD008-036-S002-006 Title: High Museum Comments: |
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Slide #: 045 Author ID: 15 SBSE Slide ID: CD008-045-S002-015 Title: High Museum Comments: Slide #: 046 Author ID: 16 SBSE Slide ID: CD008-046-S002-016 Title: High Museum Comments: Slide #: 047 Author ID: 17 SBSE Slide ID: CD008-047-S002-017 Title: High Museum Comments: Slide #: 048 Author ID: 18 SBSE Slide ID: CD008-048-S002-018 Title: High Museum Comments: Slide #: 049 Author ID: 19 SBSE Slide ID: CD008-049-S002-019 Title: High Museum Comments: Slide #: 050 Author ID: 20 SBSE Slide ID: CD008-050-S002-020 Title: High Museum Comments:
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| Solar Hemi-Cycle
- Blue Cross Blue Shield of Boston
Fatih Rifki SBSE Slides 51-57 |
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Slide #: 051 Author ID: 1 SBSE Slide ID: CD008-051-S003-001 Title: Blue Cross-Blue Shield of Boston Comments: Slide #: 052 Author ID: 2 SBSE Slide ID: CD008-052-S003-002 Title: Blue Cross-Blue Shield of Boston Comments: Slide #: 053 Author ID: 3 SBSE Slide ID: CD008-053-S003-003 Title: Blue Cross-Blue Shield of Boston Comments: Slide #: 054 Author ID: 4 SBSE Slide ID: CD008-054-S003-004 Title: Blue Cross-Blue Shield of Boston Comments: Slide #: 055 Author ID: 5 SBSE Slide ID: CD008-055-S003-005 Title: Blue Cross-Blue Shield of Boston Comments: Slide #: 056 Author ID: 6 SBSE Slide ID: CD008-056-S003-006 Title: Blue Cross-Blue Shield of Boston Comments: Slide #: 057 Author ID: 7 SBSE Slide ID: CD008-057-S003-007 Title: Blue Cross-Blue Shield of Boston Comments: |
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| Oak Alley Plantation:
The Heavy Mass Plantation House
Susan Ubbelohde SBSE Slides 58-76 Note: See text of author's paper "Oak Alley Plantation: The Heavy Mass Plantation House" at end of this section. |
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Slide #: 058 Author ID: 2 SBSE Slide ID: CD008-058-S004-001 Title: Oak Alley: From north Comments: Slide #: 059 Author ID: 3 SBSE Slide ID: CD008-059-S004-002 Title: Oak Alley: 1st floor plan Comments: Slide #: 060 Author ID: 4 SBSE Slide ID: CD008-060-S004-003 Title: Oak Alley: From north 2 Comments: Slide #: 061 Author ID: 5 SBSE Slide ID: CD008-061-S004-004 Title: Oak Alley: Site plan Comments: Slide #: 062 Author ID: 6 SBSE Slide ID: CD008-062-S004-005 Title: Oak Alley: The allee Comments: Slide #: 063 Author ID: 7 SBSE Slide ID: CD008-063-S004-006 Title: Oak Alley: Cross vent Comments: Slide #: 064 Author ID: 8 SBSE Slide ID: CD008-064-S004-007 Title: Oak Alley: Living room Comments: Slide #: 065 Author ID: 9 SBSE Slide ID: CD008-065-S004-008 Title: Oak Alley: Stack vent Comments: Slide #: 066 Author ID: 10 SBSE Slide ID: CD008-066-S004-009 Title: Oak Alley: West façade Comments: Slide #: 067 Author ID: 11 SBSE Slide ID: CD008-067-S004-010 Title: Oak Alley: South façade Comments: Slide #: 068 Author ID: 12 SBSE Slide ID: CD008-068-S004-011 Title: Oak Alley: South gallery Comments: Slide #: 069 Author ID: 13 SBSE Slide ID: CD008-069-S004-012 Title: Oak Alley: West gallery Comments: Slide #: 070 Author ID: 14 SBSE Slide ID: CD008-070-S004-013 Title: Oak Alley: Shuttered door Comments: |
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M. Susan Ubbelohde
ABSTRACT Oak Alley, a southern Louisiana plantation house was constructed in the 1830's. The climate responsive strategies employed in the house and site design have been identified and documented through field tests, model analysis and occupant interviews by Brian Andrews and Brian Spencer, working with Dr. Eugene Cizek and Professor Susan Ubbelohde. This paper discusses the background of "bioclimatic design" strategies developed for the Gulf Coast climate of the U.S. Three major factors in the success of Oak Alley's response to climate are examined: the dynamic heavy-mass envelope, the migration of the occupants, and the contribution of ritual, contrast, and synesthesia to thermal comfort. Conclusions address the value of studying historic examples and the complexity of a truly responsive and comfortable design. 1. INTRODUCTION In comparison to the rest of the continental U.S., the Southeast, and especially the swamps and bayous of Louisiana have epitomized the relative tropics. A world of palm trees and Spanish moss, dripping with humidity and crawling with insects, the South is home to the passions of William Faulkner and Tennessee Williams. Understanding the South's nearly mythic role as our representative hot humid climate clarifies the ease with which we have assumed that tropical architectural strategies might be appropriate. Thus the "low heat capacity walls and roof, maximum shade, maximum ventilation" described by Fitch and Branch for the tropical rain forest in their seminal article1 have crept into our general consciousness as somehow applicable design strategies in the Deep South. 2. BIOCLIMATIC DESIGN GUIDELINES As we became better at both describing the climate and understanding implications for architectural response,2 we also began to look at 19th century architectural precedents. Slide #: 060 Author ID: 4 SBSE Slide ID: CD008-060-S004-003 Title: Oak Alley: From north 2 Comments: (Figure 1 _ Oak Alley Plantation, Vacherie, Louisiana) This search was ostensibly for clues, but functioned primarily as confirmation of the newly developed guidelines.3 For the northern U.S. and the Southwest, passive designs could provide comfort for most of the year. The basic architectural strategies suggested for orientation, aperture, and envelope and mass characteristics tended, in general, to work through the annual patterns of seasonal change. However, in the Southeast, our sophisticated analysis brought us a difficult position, a set of conflicting guidelines. |
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In Regional Guidelines for Building Passive Energy Conserving Homes (1980), the potential of passive strategies for providing thermal comfort was addressed. Chapter 11 for the Gulf Coast distinguished the "primary design condition" as "too hot for comfort" (52% of the year). The recommendations were: 1. Allow wind to ventilate and cool; 2. Protect from the sun; 3. Flatten day-to-night temperature swings; 4. Avoid creating additional humidity. The "secondary design condition", "too cool for comfort", occurs a substantial 36% of the year. However, the recommendations of 1. Letting the sun in and 2. Avoiding infiltration are, along with #3 and 4 above, "less important and should only be considered if greater detail and operational control is possible".4 This relieves the designer of resolving the more difficult of the contradictory guidelines. For example, should the architect design with high ceilings or minimize the volume to be heated or refrigerated? Is it better to provide many large operable windows, or do you minimize glazing to reduce infiltration, winter heat loss and summer solar gain? The difficult question of the appropriate use of thermal mass versus a lightweight insulated frame is not clearly answered. Watson's analysis and guidelines (1981)5 assume people will use air conditioning when conditions are unrelieved by passive means. However, he also looks at percentages of occurrence to determine design strategies for this climate: minimize infiltration 71% minimize conductive heat flow 56% passive solar gain 42% minimize external air flow 42% minimize solar gain 43% promote ventilation 19% promote radiant cooling 5% promote evaporate cooling 4% Examining Watson's recommendations in relation to the AIA guidelines is even more perplexing: the statistics tell you clearly that if you want to have the option of air conditioning, you must build a thermos bottle which can admit and block solar gain on an equal basis. What becomes clear is that choosing bioclimate design strategies via percentage of occurrence is akin to designing for an average daily temperature of 50 degrees F. It is possible that the climate described consists of 90 degree days and 10 degree nights. Being comfortable part of the time, even if it is more than 50%, is not a satisfactory solution. It is important to find new ways to define the problem. In the Gulf Coast, one needs to design a building that can be both an open parasol and a protective enclave, recognizing the differences between the winter and summer, spring and fall and the accompanying sun position and wind shifts. In effect, a truly climate-responsive house would need to be a complex integrated set of passive systems; a chameleon of many talents. Herein lies the value of examining historical precedents. Many of these houses, including Oak Alley, respond in a sophisticated fashion to the complex demands of the Gulf Coast climate. Slide #: 058 Author ID: 2 SBSE Slide ID: CD008-058-S004-001 Title: Oak Alley: From north Comments: (Slide 2 _ Oak Alley: from north) |
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3. OAK ALLEY PLANTATION HOUSE Oak Alley was built in the 1830's facing the Mississippi River to the north at the end of an existing alle of twenty-eight oak trees. The house was placed on the site of a previous cottage and constructed with bricks of Mississippi River mud, molded and fired on site. Slide #: 059 Author ID: 3 SBSE Slide ID: CD008-059-S004-002 Title: Oak Alley: 1st floor plan Comments: (Slide 3 _ Oak Alley: 1st floor plan) Slide #: 060 Author ID: 4 SBSE Slide ID: CD008-060-S004-003 Title: Oak Alley: From north 2 Comments: (Slide 4 _ Oak Alley _ from north 2) Slide #: 061 Author ID: 5 SBSE Slide ID: CD008-061-S004-004 Title: Oak Alley: Site plan Comments: (Slide 5 _ Oak Alley _ site plan) Slide #: 062 Author ID: 6 SBSE Slide ID: CD008-062-S004-005 Title: Oak Alley: The allee Comments: (Slide 6 _ Oak Alley _ the allJe) Completed in 1839, the house has two floors of living areas, each with an eleven foot central hall running north and south. Square in plan, the house is surrounded with an eleven foot deep gallery and a total of twenty-eight oak trees which form the alle. The 16" walls are of masonry, finished with painted stucco on the exterior and painted plaster on the interior. Originally there were four dormers, one on each side of the hipped roof. The full complement of out-buildings typically associated with a working plantation (kitchen, garconnieres, shed, stables, slave quarters, etc.) are also on the grounds to the east and south of the house. The house was altered by the architects Koch and Armstrong during restoration in the 1920's after fifty years of abandonment. The original kitchen building still stands opposite the formal garden to the east; however, the kitchen was brought into the house in the southeast corner of the ground floor. The dormers were increased to three on each side of the house for a total of nine. The stairway has also been moved from the southwest corner to the center hall, explaining the absence of fireplaces in the southwest rooms. Finally, the original black and white marble floors were replaced with wooden floors. Slide #: 059 Author ID: 3 SBSE Slide ID: CD008-059-S004-002 Title: Oak Alley: 1st floor plan Comments: (Figure 3 _ Ground floor plan) (Figure 4 _ Upper floor plan - No Slide Supplied) |
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4. THE DYNAMIC ENVELOPE Oak Alley recognizes the demands of the exterior climate by providing an envelope which can function as either an open parasol or a thermal enclave. Each living area, including the central hall which functioned as a second parlor, has French doors giving onto two orientations. These can open the rooms dramatically to the outside breeze and temperature. The interior doors to the hall and through the service rooms support additional cross ventilation, while the fifteen foot ceilings allow hot air to rise above head height. Slide #: 063 Author ID: 7 SBSE Slide ID: CD008-063-S004-006 Title: Oak Alley: Cross vent Comments: (Slide 7 _ Oak Alley _ cross vent) Slide #: 064 Author ID: 8 SBSE Slide ID: CD008-064-S004-007 Title: Oak Alley: Living room Comments: (Slide 8 _ Oak Alley _ living room) Coupling the hatch door on the roof's belvedere and the operable dormers with the vertical opening created by the move of the stair, the house has an effective stack ventilating system. This supplements the potential for cross ventilation during those periods of minimal and uncertain wind speed and direction, generally the months of July and August.6 Slide #: 065 Author ID: 9 SBSE Slide ID: CD008-065-S004-008 Title: Oak Alley: Stack vent Comments: (Slide 9 _ Oak Alley _ stack vent) Slide #: 066 Author ID: 10 SBSE Slide ID: CD008-066-S004-009 Title: Oak Alley: West façade Comments: (Slide 10 _ Oak Alley _ west façade) (Figure 5 _ North elevation - No Slide Supplied) 4.1 Shade In conjunction with ventilation, shade is still required for comfort during those overheated period not yet severe enough to require an enclave (March, April, May and October).7 This is provided on the north or front galleries nearly all year. The east walls and glazing are shaded after 10 a.m. in March and September and from 9:00 a.m. on June 21st. The southern walls are shaded throughout the day from early March to early October. The west wall is the mirror of the east, lacking shade in the afternoons from March to September (Figure 7). A second layer of operable sun controls, the wooden shutters on each French door, can be used during those periods when the overhangs do not provide the necessary shade. Slide #: 067 Author ID: 11 SBSE Slide ID: CD008-067-S004-010 Title: Oak Alley: South façade Comments: (Slide 11 _ Oak Alley _ south façade) |
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Slide #: 068 Author ID: 12 SBSE Slide ID: CD008-068-S004-011 Title: Oak Alley: South gallery Comments: (Slide 12 _ Oak Alley _ south gallery) Slide #: 069 Author ID: 13 SBSE Slide ID: CD008-069-S004-012 Title: Oak Alley: West gallery Comments: (Slide 13 _ West gallery) Slide #: 070 Author ID: 14 SBSE Slide ID: CD008-070-S004-013 Title: Oak Alley: Shuttered door Comments: (Slide 14 _ Shuttered doors) Slide #: 065 Author ID: 9 SBSE Slide ID: CD008-065-S004-008 Title: Oak Alley: Stack vent Comments: (Figure 6 - Section showing stack ventilation) 4.2 Closing the Envelope As much as 305 of the year may bring conditions of severe overheating with high humidity.8 During these times, the house can be "closed" to the outside extremes and remain shaded from solar gain as described above. The two living floors are closed and the dormers are opened to exhaust any heat built up beneath the roof. In the 1930's, an exhaust fan was placed in one of the dormers with considerable effect. A second strategy now available with the invention of air conditioning is the ability to close and condition only one or two rooms within the overall house. Slide #: 071 Author ID: 15 SBSE Slide ID: CD008-071-S004-014 Title: Oak Alley: Attic exhaust Comments: (Slide 15 _ Attic exhaust) Slide #: 072 Author ID: 16 SBSE Slide ID: CD008-072-S004-015 Title: Oak Alley: Dormers Comments: (Slide 16 _ Oak Alley _ dormers) Slide #: 066 Author ID: 10 SBSE Slide ID: CD008-066-S004-009 Title: Oak Alley: West façade Comments: (Figure 7(a) _ West elevation, late afternoon March 21st) (Figure 7(b) - Solar transit plot from west gallery - No Slide Supplied) Both of these closed strategies work in conjunction with the substantial thermal mass in both interior and exterior walls. The masonry walls are coupled to a continually available sink; the 65 degree F. groundwater. Oak Alley's brick walls, like the masonry walls in the French Quarter of New Orleans, have their foundations let into the high water table. This causes a condition in which the water is wicked up into the wall. Thus the walls are kept cooler than summer air temperatures, although they suffer from peeling paint. The interior relative humidity is, unfortunately, increased. When the room is closed, the discomfort must be balanced by the cooler mean |
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| radiant temperature of the room
or the dehumidifying action of the air conditioner. Due to the presence
of a heat sink independent of daily cycling, the occupants can utilize
both ventilation and the cool mass without compromising the effectiveness
of either. It is this combination which allowed the central hall to be
a favorite room in hot periods.
4.3 The Winter Enclave The need for a winter enclave is a critical fact of life in Louisiana, where heating bills often run as high as cooling due to lack of insulation and infiltration control. Each of Oak Alley's rooms may be closed to infiltration using the doors and shutters. Slide #: 073 Author ID: 17 SBSE Slide ID: CD008-073-S004-016 Title: Oak Alley: Thermal zones Comments: (Slide 17 _ Oak Alley _ Thermal zones) Local heating may be accomplished with the fireplace or by allowing the sun to enter. The mass walls provide an envelope which resists infiltration more successfully than the typical Louisiana frame house, while simultaneously allowing delayed transfer of radiant heat. The mass walls provide an envelope which resists infiltration more successfully than the typical Louisiana frame house, while simultaneously allowing delayed transfer of radiant heat. 5. THE DYNAMIC OCCUPANTS Perhaps it is in our nature as architects or researchers to concentrate on those aspects of the building design over which we know the designer exercises control (e.g.: the U value, the nature of the aperture). There may be a mention of a "sun space" or a "shaded porch which accepts breezes" in the published guidelines, but on the whole we have left unrecognized and unexploited the most powerful ally of the dynamic envelope: the redundant living space. The ability of those living in the house to move up and down, in and out, and around the house on the galleries make this house truly responsive to climate. Slide #: 074 Author ID: 18 SBSE Slide ID: CD008-074-S004-017 Title: Oak Alley: View to allee Comments: (Slide 18 _ Oak Alley _ view to alleJ) Oak Alley's galleries, ground floor paved arcades and center halls are areas which may be occupied at any point when they offer improved thermal comfort. Because they were initially conceived as living spaces, rather than as "hallways" and "overhangs", their eleven foot widths accommodate a variety of activities with ease. The northeast corner of the second floor gallery has shade and breeze on a hot afternoon. The dark center hall offers cool walls on an August day. The mid-day sun of the southern gallery warms a space blocked from northeast November winds. In fact, migration through these "redundant living spaces" provides the most immediate response to the range of diurnal patterns typical of this climate. Previous research has identified three daily comfort patterns which together account for 97% of the year: (1) days which begin cold, move into the modified comfort zone, and then turn cold again "C-MCZ-C"; (2) days which are within the modified comfort zone all day "MCZ"; and (3) days which begin in the modified comfort zone, become hot, and then return to the modified comfort zone |
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| "MCZ-H-McZ". Conditions coded bot
hC and H require a closed building and either cooling or heating.
Conditions coded MCZ can be comfortable with an open building if
the right amount of wind or sun is provided.9 In Oak Alley,
one can move in and out of a "closed" space onto a gallery, and then seek
the sun and wind conditions appropriate by moving around the galleries
until comfortable.
Slide #: 075 Author ID: 19 SBSE Slide ID: CD008-075-S004-018 Title: Oak Alley: Lake Charles Climate Comments: (Slide 19 _ Lake Charles _ climate) Slide #: 075 Author ID: 19 SBSE Slide ID: CD008-075-S004-018 Title: Oak Alley: Lake Charles Climate Comments: (Figure 9 _ Typical annual distribution of diurnal comfort patterns, Lake Charles, Louisiana) Slide #: 068 Author ID: 12 SBSE Slide ID: CD008-068-S004-011 Title: Oak Alley: South gallery Comments: (Figure 10 _ South gallery, 11 a.m., March 21st) 6. THE OASIS AND THE ROCKING CHAIR Lisa Heschong has argued the importance of recognizing and designing thermal environments which include ritual, variability, contrast, and the stimulation of senses such as sight, sound and touch.10 For example, she describes the necessity of a summer enclave not in terms of temperature, relative humidity and solar radiation, but as follows: "When we are overheated…the heat makes us lethargic and slow-witted. Any action required too much effort…A hot day…can also be stressful because it overstimulates. The sun can be too bright, glinting off of every surface. The antidote then is not something that moves and sparkles but a deep, quiet coolness, a place to retreat from the sun and rest in peace."11 Oak Alley's success as a climate-responsive house, as well as the deep attraction it holds, lies only partially in the thermal performance of the envelope and the range of actions available to the occupants. The design provides the psychological and sensual counterparts of thermal comfort. Slide #: 076 Author ID: 20 SBSE Slide ID: CD008-076-S004-019 Title: Oak Alley: Open door Comments: (Slide 20 _ Open door) The house, although square, is oriented by function and glazing to the alley. This alley is, ironically, good at channeling the cold north winds of winter directly to the house. However, the same space more than compensates by providing a visual and aural "oasis" during the hottest days of summer. All major rooms and galleries have a framed view of a deep shaded room, three hundred feet long, leading to the river. The contrast of a hot bright sun with the green of the alley only emphasizes the pleasures of the coolness provided. This alley was historically the formal entrance for those coming from the river or along River Road, framing the house and establishing a powerful spatial and thermal experience as preamble to the house itself. The interior hallway, a formal extension of the alley, also extends the coolness offered on a hot day. The dimmer shade and cool masonry walls protect you while the visual connection to river, green grass and breezes is maintained. |
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The French doors, the shutters and the mosquito netting hung on the galleries not only provide thermal comfort, but do so in a visible and variable manner. Their visibility and obvious connection with comfort allows them to become objects of "affection", which broadens our appreciation and care for the place.12 Similarly the twenty-eight round columns act as sun-dials, casting shadows which move daily and seasonally, placing the house in time. On overcast days, the curves of the column shaft model the soft light, always distinguishing the protected zone of the galleries from the outside environment through light and shade. 7. CONCLUSION Heschong reminds us that "the association of comfort with people and place are reinforced by the ritualized use of a place. It establishes, in time and behavior, a definition of the place as strong as any architectural spatial definition."13 Oak Alley provides a magnificent architectural set upon which these rituals can develop. The northwest corner of the upper gallery was used each summer evening for sitting after dinner in a rocking chair, feeling the breeze pick up around the corner of the house, watching the coolness come as the sun set. The seasonal ritual of taking up the rugs to bare the marble floors and hanging the mosquito netting on the galleries defines the summer house in time as well as place. These "psychological" aspects of thermal comfort, which cannot be "measure" on site or modeled in the lab are those which ultimately make the envelope performance and migration patterns worth examining. It is not only that the alley is cool or that the galleries catch the sun which makes them worthwhile. The sophisticated thermal performance of Oak Alley is made significant spatially and architecturally, and the house graciously acknowledges and welcomes the actions of the occupants as part of the whole. Here, in Oak Alley, we have more than a collection of climate response design strategies, we have an example of climate responsive architecture. 8. ACKNOWLEDGEMENTS Brian Andrews and Brian Spencer, former students at Tulane University School of Architecture, were the major researchers for this paper and provided all drawn illustrations. They put in long hours of site tests, physical modeling, computer modeling, and contributed exquisite graphics and careful insights. My dependence on their work cannot be overstated. Both Brian's and I owe much to my co-teacher, Dr. Eugene Cizek, and the Zeb Mayeaux, the owner of Oak Alley, who enthusiastically allowed us full access to the house and site. 9. REFERENCE 1. Fitch, J.M. and D.P. Branch. "Primitive Architecture," Scientific American, vol. 203 (April 1960), p. 137 2. Brown, G.Z. and B.J. Novitsky. "A Design Methodology Based on Climate Characteristics," Proceedings of the 6th National Passive Solar Conference, Portland, OR. September 1981, pp. 372-376. 3. AIA Research Corporation. Regional Guidelines for Building Passive Energy July 1980 4. AIA, p. 232. 5. Watson, Donald. "Bioclimatic Analysis and Design Methods," Passive Cooling, International Passive and Hybrid Cooling Conference, Miami Beach, FL. November 1981. pp. 597-611 |
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6. U.S. Department of Commerce. Climatic Atlas of the United States, 1968. 7. NOAA, Local Climatological Date for New Orleans, Louisiana. 8. Watson, p. 599. 9. Ubbelohde, M. Susan. "The New Orleans Shotgun: Design Strategy for Variable Climate Response." Progress in Passive Solar Energy Systems, 1982, pp. 939-944. 10. Heschong, Lisa. Thermal Delight in Architecture. (Cambridge, MA: MIT Press, 1979). 11. Heschong, p. 17. 12. Heschong, p. 37. 13. Heschong, p. 49. |
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| Passive Cooling
- Cairo Wind Screen
G. Z. Brown SBSE Slides 77-91 |
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Slide #: 077 Author ID: GZB 4 SBSE Slide ID: CD008-077-S005-001 Title: Cairo - wd screen Comments: Slide #: 078 Author ID: GZB 3 SBSE Slide ID: CD008-078-S005-002 Title: Cairo - wd screen Comments: Slide #: 079 Author ID: GZB 2 SBSE Slide ID: CD008-079-S005-003 Title: Cairo - wd screen Comments: Slide #: 080 Author ID: GZB 1 SBSE Slide ID: CD008-080-S005-004 Title: Cairo - wd screen Comments: Slide #: 081 Author ID: GZB 8 SBSE Slide ID: CD008-081-S005-005 Title: Cairo - stone screen Comments: Slide #: 082 Author ID: GZB 7 SBSE Slide ID: CD008-082-S005-006 Title: Cairo - wd screen Comments: Slide #: 083 Author ID: GZB 6 SBSE Slide ID: CD008-083-S005-007 Title: Cairo - wd screen Comments: Slide #: Author ID: GZB 5 SBSE Slide ID: NOSLIDE Title: Cairo - wd screen Comments: Slide #: 084 Author ID: GZB 12 SBSE Slide ID: CD008-084-S005-008 Title: Cairo - Muhammed Ali Mosque Comments: Interior Slide #: 085 Author ID: GZB 11 SBSE Slide ID: CD008-085-S005-009 Title: Cairo Comments: Slide #: 086 Author ID: GZB 10 SBSE Slide ID: CD008-086-S005-010 Title: Cairo - Muhammed Ali Mosque Comments: Slide #: 087 Author ID: GZB 9 SBSE Slide ID: CD008-087-S005-011 Title: Cairo - stone screen Comments: Slide #: 088 Author ID: GZB 16 SBSE Slide ID: CD008-088-S005-012 Title: Cairo Comments: Slide #: 089 Author ID: GZB 15 SBSE Slide ID: CD008-089-S005-013 Title: Cairo Comments: |
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Slide #: 090 Author ID: GZB 14 SBSE Slide ID: CD008-090-S005-014 Title: Cairo Comments: Slide #: 091 Author ID: GZB 13 SBSE Slide ID: CD008-091-S005-015 Title: Cairo Comments: |
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| Unknown Misc. Slides
Unknown Author SBSE Slides 92-95 |
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