"The act of printing has always seemed to me a miracle, just such a miracle as the growing up of a tiny seed of grain to an ear-an everyday miracle, even the greater because it happens every day. One drawing is sown on the stone or the etching plate, and a harvest is reaped from it."
-Vincent Van Gogh (1853-1890)-
State Fair, 1948
Stevan Dohanos, American (1907-1994)
Wooden engraving
12 11/16 inches H; 8 15/16 inches W
Gift of Ned and Gloria Griner


Unlike a painter who applies paint to what will be the final product, the printmaker has to imagine the final product and then make an opposite version using a different material. The process of first making an initial image and then making its negative may seem difficult, but one major advantage printmaking has is the reproducibility of the image. Early books were illustrated with woodcuts and engravings, and many early posters were mass-produced using a printmaking technique called lithography.

There are many ways an artist can make a print. With woodcuts, one of the oldest types of printmaking, the negative space in an image (the white space on a page) is cut out of a block so that when the ink is applied to it, only the uncut parts will leave an impression on the paper. The result is an image on parchment or paper.

Engravings are the metal cousins of woodcuts. Tiny grooves are carved into metal plates wherever the artist wants a line to appear. The ink is applied, filling in the grooves so that when the plate is pressed onto paper, an image is made. Lithographs are made by taking a plate and drawing the image with grease onto that plate. Acid is applied so that surfaces not covered with grease are water repellant. When the artist puts the water-based ink on, only the areas with the grease hold the ink. When the plate is pressed onto a piece of paper, it leaves the image.




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